Monday, August 16, 2010

Parenting Fail on Parmer Lane

What do you think of whenever you hear of a tragic incident involving a child who wandered off? Do you try to picture the child or the parents? Do you instantly want to know how something like that could have happened? Do you start passing judgment on those responsible?

Or rather, let's pretend that you spot a very young child standing on the street and simply kept driving by. Would you feel guilty for not stopping if you later heard that the child was hurt?

During my time as a news reporter, I was fortunate enough to not come across any grisly scenes of little children killed by traffic after wandering into the street. However, yesterday evening I was front and center to what could have been a very tragic event. And all of the above questions were racing through my head.

Around 7:00 Sunday night I was driving down Parmer Lane, heading to my usual softball game at Walnut Creek Park. Traffic was heavy and the flow of cars and trucks were running at a pretty healthy clip of about 50 mph. Following right behind me was my friend and teammate, John. As we approached the side street we were meant to turn right onto, we glided into the shoulder and started to slow down. Just as I was about to turn the wheel to make my turn, I suddenly noticed a figure on the road near the curb. It was not a traffic cone. Instead, a small boy – who couldn't have been older than three years – was simply standing two feet from the curb on one of the busiest and more dangerous intersections in north Austin. He was wearing a suit with a red vest, as if he was a ring bearer for a wedding, or maybe celebrating his birthday. Some quick thinking allowed me to widen out my turn and avoid clipping the little boy. Thankfully John followed suit behind me.

Heart rate going a mile a minute, I travelled about a hundred feet down the side street before pulling over. John had the same idea and pulled over in about half that distance. Being a father himself, John got out of his car and instinctively walked over to the boy. He asked the child "Whatcha doing? You okay?" and took him by the hand to lead him off of the road. At that time I was looking for the potential home that this boy belonged to. Fortunately that job was made easy when I saw a house with a moonwalk being used in the backyard.

I went to the front door and rang the doorbell – no answer. So I walked around the side of the house and approached a privacy fence with a gate. John caught up with me, holding the boy up by his shoulder. The gate to the backyard was open a little bit, so I immediately put two and two together on how this little boy got out to the street. I called out to anyone who would hear me, and after a moment passed someone finally approached to gate. John handed off the child to the man who answered our call.

"This little guy was out there on the corner. We just brought him back to make sure he was safe." John said sheepishly.

The man was straight-faced, almost as if he was trying to not show a reaction of any kind. He nodded and muttered an almost inaudible "Thank you" as he held the boy. A quick scan of the back yard saw three kids jumping around on the moonwalk, and another man sitting in a covered patio. An awkward silence moved John and I to back our way out of the yard through the gate. We were kind of confused by the lack of emotion by the man, or maybe it was the lack of gratitude. John later commented that if he ever had a lapse in judgment and some strangers returned his boy to him, he'd be buying them drinks and begging them not to tell anyone about it, especially the authorities.

As we resumed making our way to our softball game, I had a good feeling about what had just happened. John and I prevented a scenario that no parent would ever want to go through. But at the same time I couldn't help but smile as I thought about the Dave Chappelle bit where he's riding in a limo at 3:00 in the morning and he sees a baby standing on the corner.




Wednesday, April 28, 2010

Ad Gab: We're Officially 'Reaching'

Over the last couple of days, I've stumbled across some of the newest television spots for some high profile and popular brands. Some of those campaigns have left me scratching my head. So, here are just a few observations that I came away with.

Case study #1: Weber Grills "Have Fun with It".
It's really odd to see bad dancing with spatulas come together with grills. I did notice the theme and that various grills are showcased in the BACKGROUND, but the message that I got was that grills do nothing but make for good background props. No cooking, no eating, no display of any benefits or what makes Weber grills stand out as a brand. It was just dancing. The sad thing is, this spot will become popular, but only for the song. Looking into the commercial even more, discussion boards were full of questions asking where people can find that song to download. Go figure.

Case study #2: Sony's TX-7 Cyber-Shot w/ iSweep Panorama feature.
TV spots and internet advertising focuses around Taylor Swift and how she can "capture all her fans" by scanning her audience with the camera. This ad campaign feels like it's only marketed toward rock stars and the only practical application is to take pictures of the crowd from the stage. Again, the appeal to the masses is unfortunately Taylor Swift, and many a consumer will grab that camera solely on the fact that she's "endorsing" it.

Case study #3: Gatorade's "G Series".
This observation is more about the actual product and how it's basically a marketing tool in and of itself. The first time I saw this campaign I thought to myself, "So, now I have to buy THREE products in order to get the most out of my 'hydration option.'?" Gatorade doesn't need to be in the "sports nutrition" racket. That makes as much sense as 'Axe' bath products coming out with an expensive line of car care products. The idea is to be 'not thirsty'. We're not trying to turn people into the 'Million Dollar Man.' That's what protein and an active lifestyle is for.

Thursday, March 11, 2010

TwitterTalentedTen – March 11, 2010

Well, in order for me to beat the downtown rush, I'm going to have to hammer out today's edition of the TripleT a little earlier than usual. Thank God for the AwesomeAustinites to always be reliable for a good crop of tweets. It's getting mighty interesting on the eve of probably the most anticipated SXSW event, Twitter announcing location-sharing tweets, and news of Conan O'Briens tour is also making a lot of buzz. Not to mention the largest group event currently on TweetVite – tonight's #BATHH. Leave it to the ATX to throw the BIG party right before the actual party is scheduled to fire up.

So this one goes out to everyone I'll be seeing tonight, and all the new friends I'll be meeting. Enjoy today's TwitterTalentedTen!

  1. @BennRosales - If you thought u'd get your sxsw badge at 3 think again :)

  2. @webanna - We were happy when we pulled up that the line for badges didn't go outside... It just wrapped around the inside!

  3. @tronovision - I really enjoy it when a establishment gives out free swag pens. It makes it much easier to express your gratitude on their bathroom walls.

  4. @katebuckjr - Will not be tweeting with my location bc i tweet ALLLLL the time, and sometimes I don't want u to know where i'm at! That's what 4sq is 4.

  5. @heartsintexas - Getting downtown is going to suck. But i'm not afraid to hit hipsters with my car. #getoutheway

  6. @Smmythe - This day is wasted; I am not. Life isn't fair.

  7. @myerman - Ever since the advent of Twitter, I no longer have to wonder what our world would be like if we could read minds.

  8. @baconator - after an hour of tweaking java memory settings, has settled upon a working model that's not crashing *TOO* much.

  9. @ValerieKusler - Why do I find @ConanOBrien's facial hair so hot?

  10. @EricKennedyATX - "Give me back that filet-o-fish. Give me that fish." Good luck thinking of anything else for the rest of the day.

Oh great! Now I discover that the High Tech Happy Hour is at 5:30 and a block away from the BATHH. Looks like another one to add to the dance card.

AX

News Nostalgia: The Eagle Pass Tornado

***From the Archives. Originally posted April 26, 2007***

I have suddenly come to the realization that it takes more than talent and drive to excel in my business. Although those traits still hold a lot of stock, you can't really go to work and show your worth until the right opportunity comes along.

Tuesday evening around 7:00 I was at a Hooks baseball game with a coworker. I had no clue that at THAT time, 230 miles to the west of us, a huge storm was tearing through parts of Eagle Pass, and the tornadoes it brought with it wiped out an entire subdivision. It destroyed 23 homes, an elementary school, and killed 11 people.

Throughout the night, I never heard about the disaster. I was too busy enjoying the game and then going out afterward. But I knew something was up when I got a call from work around 8:00 Wednesday morning.

"Get some comfortable clothes on. We're sending you to Eagle Pass. You're leaving as soon as you get here, so make it quick."

That was the conversation. So I still didn't have any clue of what was going on. All I knew that I was going to be across the state a few hours later, and I didn't know when I was coming back. I had no time to think (or pack extra), but I threw on a company polo and blue jeans and jumped in the car.

When I got to the station, photographer Manny was already packed to go. The bosses pretty much handed me a press release and pushed me out the door. There was no time to go over things, Eagle Pass was a long ways away, and I had 4 hours in the truck to put my thoughts together. As I read the article, I finally had my first clue on what all the commotion was about. But when I thought about it, I figured that only a few stations from San Antonio would be there. I never expected that I would be smack dab in the middle of a major media storm.

We got to the guarded perimeter of the disaster zone around 1:00p, and one of my greatest fears was playing out in front of me. A convoy of satellite trucks and other news vehicles were leaving the area. When we approached to enter the area, we were stopped by a wall of State Troopers and soldiers from the Texas National Guard. They told us that all of the media was being removed from the area, and no other news crews could enter. This presented a huge challenge in me doing my job. How were we going to put together a story if we couldn't get in to shoot the damaged neighborhood?

Well, the only way we could make due was to interview the survivors. Dozens of them were hanging out on a gravel parking lot on the outskirts of the perimeter. They were waiting to be allowed back into their neighborhood to salvage whatever belongings were left. When we spoke with them, they told us about the winds taking apart their homes and dropping cars and trucks in their yard - vehicles they had never seen in their neighborhood before. One man said that he even saw the lifeless body of one of his neighbors hanging from twisted power lines.

Eventually the State Troopers got their act together and ferried the media back into the disaster zone. Apparently, the reason they ushered us out was because Governor Rick Perry was coming to visit, and they had to "secure the area." This was my first chance to actually walk through what a tornado left behind, and the damage was amazing. It was at this time I noticed that everyone around me had a camera with them, and they were clicking away. I left mine back at home.

But in the middle of all the chaos and devestation, it finally hit me. It was as if all the other reporters and photogs that were there suddenly appeared out of thin air. I was 'competing' with stations from San Antonio, Houston and Austin. Even the national networks were there: NBC, FoxNews and so on. But I felt natural, like I belonged there, and it was one of the best feelings I ever had. The funny thing was, I was so set on doing my job that I didn't have time to look around and see if I could recognize anyone, but every now and then I caught someone else looking at me trying to do just that. It wasn't long after that when the shock of the day came along. Someone recognized me.

"Is that Alex Stivers?!!"

A person appeared from over my shoulder and came into view. I couldn't recognize him at first because of the sun's glare. "Hey buddy, it's James."

James Keith. Weekend Anchor/Reporter for the Fox29 in San Antonio, Sam Houston State alum, and an aquaintance of mine on MySpace and Facebook.
We chatted for a quick moment as we prepaerd for the Governor's arrival, but all the while I was still in shock that someone caught me all the way out in Eagle Pass.

Somehow, amid all the problems we ran into and the deadlines that were set up, we managed to turn out three stories. I wound up meeting several people from San Antonio and Austin stations, and even reporters from the networks. It felt good rubbing elbows with the "big boys." Even if it was for just one day.

But it was there that I learned that I would have never gotten the experience or the chance to do a little networking if it wasn't for that storm devestating the area, and my boss choosing me to run out and cover it. And it's factors like those that can really play a role in how quickly you move up in the world.

Well, here's hoping that someone out there took notice.

AX

Wednesday, March 10, 2010

The Harbor Lights Story

**Here's a story I haven't told in a while. While I always enjoy it, I think it's extra special because it involves a rare fun occasion with former colleague Lauren Petrowski. Enjoy!***

One of the first times I stood in front of a bunch of people and spoke was back in May 2006 for the SHSU Eubie Awards. I was the emcee for the night's festivities, and I actually had some decent material. But I had to ditch the gags after my very first joke was followed by the sound of crickets. The strange thing was, I was just being myself back then, but my peers were trying so hard to not seem entertained that they held in their reaction and I looked the fool. So ever since then, I've been a little skiddish when it comes to letting my personality flow. On most days I can talk up a storm and people are kicking me from under the table to get me to shut up. Then there are those days when I don't say much, and I'm a wallflower.

But thank goodness I was my usual outgoing self one December night back in 2006.

For those of you outside of Corpus Christi, the Harbor Lights Festival is the annual holiday highlight on the Bayfront, complete with music, the lighting of the big tree and the classic visit by Santa. It's a pretty big thing for the kids and the show's been popular considering it's been around for 25 years.

Well, since my then employer, Action 10 KZTV, was one of the primary sponsors, it was fitting that a pair of our own talent would emcee the night event. However, one of my coworkers who was scheduled to be part of the show called me up, and I couldn't even recognize her voice. She had been fighting some some throat illness and it seemed as if it had taken over. She lost her voice, and she was asking me to fill in for her. Did I mention that this was around 2:00 pm, four hours before showtime?

I graciously accepted, not just because I'm all about helping out the team and plug the station, but I felt this was an opportunity for me to put the name out there a little bit and get some exposure for myself. I'll admit it, I'm a bit selfish. So, with that pressure added, I prepped for the show.

Looking at the script, it read like a recycled 'Donnie and Marie' give-and-take. In addition to the corny language, the script was also very tight, and open to a lot of ad-libbing. Not the best situation with it being my first Harbor Lights and only having less than three hours to prepare.

Well, 6:00 rolls around and the ceremonies are off and running. Right alongside me is Lauren Petrowski (now of Fox 7 Austin fame), and she's about as nervous as I was. But to add to that, she was absolutely freezing with the 38 degree windgusts coming off the bay. I was shaking myself. But we started off by introducing ourselves and talking a little bit about our fondest holiday memory, I thought it was going to sound cheesy, but somehow we pulled it off.

Right after the first entertainment act, Lauren and I jump back on stage and we start going through the script once again. Unfortunately, there might have been some miscommunication behind the scenes, because the timing was off and the entertainment coordinator starts making appearances over my shoulder and whispering to stretch the material. The second act of the night was 20 minutes late, and Santa wasn't due onto the stage for another 8. So Lauren and I ran through the sponsers again and try to ad-lib some more. After that didn't work, we just went to the ol' faithful: holiday ambiance music while we waited for Santa's motorcade to make it to the stage.

During all of this, I'm holding a 17-page script in one hand and a microphone in the other. Right behind that, was a list of all the sponsors and event coordinators that I had to mention, those were on separate sheets. And whoever wrote and printed the script didn't put the page breaks in the appropriate places, so I repeatedly was having to stop and negotiate with the mic and flipping to the next page. And don't forget about the long pauses of me laughing at myself during the process. It was embarrassing.

Allright! Santa finally makes it to the stage, and the kids in the crowd are going nuts. There's a lot of good energy coming over the stage at this point, so I thought I would run with. I certainly had the blessing of the event coordinator, though, because she wanted Lauren and I to milk the Santa segment for all it was worth. So I broke into an impromptu news interview with Santa Claus. It took about three to four minutes, and I was asking him questions like "How's Corpus treating you?" and "Are the kids in South Texas naughty or nice?" Y'know, kiddie stuff.

Lauren went the extra mile and scooted down to the crowd to where the children were and got a few questions from them to relay to Santa. So her segment knocked out about three more minutes.

Eureka! We had actually filled a 7 1/2 minute hole in the program just by being ourselves and with a little bit of clever and quick thinking.

It was also in this segment where I ran through the list of sponsors again. When I came down the list to Whataburger, here's what I said...

"And you can't talk about Corpus Christi without bringing up Whataburger. They're an institution here, and you pretty much can't throw a rock in this town without hitting one."

When that last bit came out of my mouth, I froze. I couldn't believe that I said it, not to mention into a microphone in front of a couple thousand people. What was even more surprising that I actually heard a lot of laughs from the crowd. I really couldn't see who all was laughing because of the lights. But I definately heard them. I was so shocked that the bit actually worked, I started to crack up and laugh a bit under my breath. Just before I composed myself and was going to read through the rest of the list, I heard a voice shout from the left side of the crowd.

"That was good!"

Again, shocked from the positive response, I chuckled again. Only this time I turned towards the direction the voice came from and replied: "Thank you" as only I would in an embarrassing situation.

So the show went on. The second act finally showed up and did a good job. I then went back on stage and tossed it to a couple of radio personalities as they introduced the laser light show. Again, groovy time.

Then we finally lit the 75-foot Christmas tree. And that was impressive. Pretty cool that Lauren and I were on stage for that one. Then I introduced the headliner band, a kid named JW Cudd. After that was over, we finally wrapped it up and got outta there. Lauren had to get back to work, and I was at the end of a workday that started at 7:30 that morning.

All in all, it was fun. I'm not sure how much I acted the fool on that stage. I'm also not sure how the people responded to me. There were a lot of hiccups in the program and plenty of times where I might have come off as foolish, but I think everything was okay in the long run. The coordinators said that we did a great job, and that they were in awe that we could talk to no end and pad the show. Good deal, I guess.

But the great thing was, I was just being myself. I didn't come off as stiff and I was able to laugh at myself when things were going wrong. Not exactly sure how many people were watching, because I was blinded by the lights, but another coworker told me afterward that close to 10,000 people usually make it downtown for the Christmas tree lighting. Jeezum Crow! 10,000???? Maybe it was a good thing that I couldn't see those people.

Amazing how in just a few months I could go from small town MC who couldn't get a laugh out of small town crowd, to performing in front of a huge audience. I hope that can be considered a skill.

AX

The Pitch

As I make an attempt to resume a regular writing regimen (say that 3 times fast), I'm looking back on some stories for inspiration. This is one that took place back in '07 that I need to share, and I hope you enjoy it.

Back in June 2007, the news station I worked as a reporter for had a promotions day at a Corpus Christi Hooks game, and in all the pomp and circumstance, a representative from 6 News was slated to throw out the ceremonial first pitch.

The first choice for the honor was going to the ridiculously talented Miss Melissa Monti, whose love for the Red Sox escapes me sometimes. However, Monti had to work that night, and I was off, so by the law of convenience, our boss tabbed me to be the station's arm, much to the shagrin of the fiery northeasterner.

In the days leading up to that famous night, I kept wondering to myself if I should take the time to practice for the pitch. With all the intramural softball I played in college, I felt confident enough that I could get a baseball across a plate 60 feet away. So I put off practicing. The way I saw it, if I practiced too much, I would feel pressured to throw the perfect pitch when I was on the mound and make myself nervous. I didn't want to send the ball over the catcher's head, that would defeat the whole purpose of practicing.

Fast forward to the game. It was a great night for a ballgame, but I learned that all of the pregame festivities you see on the field are just one giant, highly-coordinated involuntary spasm of promotions - all of which need to fall on a specific point on the timeline before the start of the game. I was hoping to get a chance to warm up my arm a little before I had to make my big performance, but I soon realized that the countdown had begun, and the next thing I knew, members of the Hooks staff put a baseball in my hand and started pushing me out towards the mound.

"Wait a sec! Don't I get a chance to warm up?" I asked over my shoulder to the woman pushing me over the foul line.

"Maybe you should've practiced." she said. "Don't worry, just get out there on the mound, wave, and let 'er rip!"

I let out a long sigh and started clenching the horsehide in my hand. I stepped onto the rubber and looked toward the plate, where already a Hooks player was squatting ready to catch. Apparently he had done this thing before, and knew how fast things worked, too. That's when my heart started racing, and I could feel my arm starting to shake. The last thing I wanted to do was to come out looking like a fool. That's when my inner monologue decided to pipe up...

"Nice job, Champ! You're standing in front of thousands of people and for the first time in your life, you don't think you can pull this off."

I can do this. But my arm is cold.

"Don't worry. Throw it like you don't give a shit."

Good idea.

"Allright, then. Let 'er fly! They already announced your name!"

OH! Right!

So I drew my arm back and took a step towards the plate. The throw looked so easy, I didn't know what I was worrying about. I was about to release the ball when that damn voice in my head came back for one more shot.

"Dude! Did you forget to wave?"

It seemed like a flash of white shot across my eyes as I casually tossed the ball towards home plate. I watched as it sailed through that moist Corpus Christi air directly on target. I got a bit excited thinking that I was going to pull this off, and a little grin appeared on my face. But as I watched the ball make its way, I noticed that the "bottom started to fall out". The ball took a dive and just managed to hit the very front part of the plate before bouncing UP into the catchers glove.

The next couple hours were a blur. Mainly because I sat at the game with my hat pulled over my face.

The next day at work, I couldn't hear the end of it. My comrades and the photographers were giving me a very well deserved ribbing. I couldn't believe that I butchered a throw like that. I even had reporters from other stations calling and emailing me that I threw like a pansy.

But the worst part happened a couple weeks later. I was on a story riding with photog Mike when the latest edition of Bud Light's "Real Men of Genius" radio spots.

"Today we salute you - 'Ceremonial First Pitch Thrower Outer.'"

(Where are They Now? . . . Alex now plays a mediocre left field in rec leagues in Austin and Round Rock.)

AX

News Nostalgia: "Let's Get Kicked Out of the American Bank Center"

**From the Archives. Originally posted October 14, 2007**

Okay, so maybe I wasn't ACTUALLY kicked out of the American Bank Center, but in retrospect, I should've been.

While at work today, I was asked by my station's sports department to grab a little interview with a certain Houston Astros player with 2007 Rookie of the Year potential. (I refuse to say his name, seeing as how I am not a sponsor.) This player was signing autographs at a little event called "Best of the Best" and all I had to do was borrow 30 seconds of his time, ask him how it felt to be back in Corpus, and what fans are saying to him.

First things, first, though. I need to explain what "Best of the Best" is.
"Best of the Best" is the corporate version of South Texas corruption. The local news rag puts on a little event where the people can attend and vote for their favorite restaurant, dry cleaners, car dealer, meth lab, what have you. However, the paper sells ads and booths to many of its larger advertising clients, so the people attending this event can only vote for the companies in attendance. Therefore, the businesses that put up the most money will have a slight advantage on winning "Best of the Best." Pretty sneaky, right? Sounds a lot like our own government, doesn't it?

Well, this ugly little bit of democracy also includes news stations and news talent. For some reason I DO understand, my station chooses not to get involved and does not sponsor "Best of the Best." So needless to say, I'm not expecting to win the category "Best Local Male Reporter Between the Ages of 23 and 27."
Our two competitors - Channels 10 & 3 - do participate. But on this day, Channel 3 was the main sponsor.

So it was somewhat awkward to be walking around the convention center with my 6 News microphone seeking out said baseball player. (Again, not mentioning any names here.) When my photojournalist Rynnee and I finally got around to him, we set up shop and started filming him signing autographs.
After a couple minutes of that, I decided to grab the attention of a guy wearing a Caller-Times denim shirt, who appeared to be this baseball player's handler, to ask if I could ask him two questions. But before I could get a word out, he approached and stopped me.

"[He] isn't doing interviews today."

"Okay," I said. "So he's not going to be speaking with any station?"

Caller-Times guy replied. "Well, he's already done an interview with Channel 3."

I shot back a look at this guy that said: 'That doesn't fit the definition of Not Doing Interviews.'

"Channel 3's a sponsor. So they were allowed to."

Right then and there I realized what a bullshit operation this entire thing was. Just because some other station is a sponsor does not give anyone the authority to keep me from doing my job. So, I was determined not to leave that place empty-handed without an explanation. So I looked back over to Rynnee and gestured her to swing the camera my way. I raised my microphone and pointed it at Caller-Times guy's face.

"Could you repeat that so I can tell my producers why I can't do an interview?" I asked him.

Then Caller-Times guy pulled out the gauntlet.

"I'm not talking to you. And it you don't leave now, I'm going to have you escorted out of here."

Apparantly, "escorted out of here" must be magic words. Because security guards suddenly materialize whenever I hear them. Some guy in a white uniform appeared from behind a column we were standing next to.

Well, I wasn't going to go down in history as the reporter who was muscled out by the Caller-Times. So I simply put down the microphone and smiled my usual cocky smirk back at the Canadian Tuxedo.

"You know what? That's fine." I said. "I'm just going to chat with some friends somewhere else."

So Rynnee and I got out of there and headed back to the station with 40 seconds of a baseball player signing autographs. Not exactly what I would call productive.
But as I was playing the moment over and over in my head, I came up with the way I wish things would have gone. A way that would have definately been more productive...

(Call this the alternate ending..)

I raised my microphone and pointed it at Caller-Times guy's face.

"Could you repeat that so I can tell my producers why I can't do an interview?" I asked him.

Then Caller-Times guy pulled out the gauntlet.

"I'm not talking to you. And it you don't leave now, I'm going to have you escorted out of here."

"You know what?" I snapped. "I'm just trying to find a reason why I can't do my job. And if that's not going to be the case, you might as well drag me out of here."

Sure enough, security guards would show up and take me by the arms and start walking me out. And of course, I would shout at Rynnee to make sure to she was getting all of this on tape.

Caller Times guy would try to keep this from getting on our news, so he would catch up and put his hand over the lens of Rynnee's camera, causing the eyepiece to move back and hit her in the face.

"Haha!" I'd shout. "I got you now, sucker! I'm calling Channel 10, they'll run an assault story on you for a week!"

As we would get closer to the doors, I would wave to all of the Channel 3 TV personalities over at the Domingo Live booth that was there.

"I LOVE YOU, KATIA!" I would shout out. "YOU SUCK, HARWELL!"

And with one final show of shamelessness, I would topple over a stack of papers just as they shove me out the doors.

(And... Scene)

So whenever the "Best of the Best" awards are announced later on, just remember the load of crock those little ribbons represent.
And also remember that no one has the right to keep you from doing your job, especially when the same concession is made for a competitor.

Boycott the CallerTimes.
Never step aside, just step up.

AX